I just finished my third or fourth reading of Umberto Eco‘s classic esoteric suspense thriller and sublimely wacko-satirical thought experiment, Foucault’s Pendulum. The Premise First published in 1988 in Italian, Foucault’s Pendulum tells the story of three editors at the fictional Garamond Press in Milan (and its aptly named vanity press twin, Manutius Press), who are brought an esoteric manuscript purporting to include a secret coded Message regarding the fabled Knights Templar and their alleged centuries-spanning occult Plan. (Here be potential but necessary Spoilers – Caveat Lector!) The Message is highly ambiguous—imagine a purposefully vague Nostradamus quatrain written in a
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Archives for holy grail
Down the Nazi Occult Rabbit Hole
Have you ever noticed how fascinated Speculative, SciFi/Fantasy, and Thriller writers are about Nazis?
From Marvel's Hydra to PKD's The Man in the High Castle, from Indiana Jones to Wolfenstein, from The Boys from Brazil to Arrowverse's Earth X to...you get the idea.
You could spend years working through that reading list.
And to be honest, I have.
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