War is nothing but a continuation of politics with the admixture of other means.
ON WAR, by General Carl von Clausewitz
To be honest, Disney's Star Wars spinoff Andor was initially a bit of a slow burn for me. I was, however, deeply impressed from the first by the seriousness and sophistication of the writing, acting, directing, and production values.
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Archives for Movies & TV
“My cause of death today is Beauty”: Mr. Sunshine
“Yesterday seemed like a distant past, today felt unfamiliar and tomorrow was terrifying. It was a time of turbulence. All of us, each in their own way, were living through the rapidly changing Joseon.” For the “Little Gang.” 🌸 [Note: I was careful not to include any significant spoilers here, but only to discuss the characters as they are introduced early on ~ with a warning.] In the midst of a rewatch of my first K-drama, My Mister, my brother and I started the 2018 historical drama, Mr. Sunshine (미스터 션샤인) and were shortly after joined by several others, including
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In Defense of Woundedness, of Failure, and of Frodo: A Personal Reflection with Tolkien’s Letters
[ALERT: If you are not familiar with the end of The Lord of the Rings, do not continue…] I originally published this post on my now-too-Dickensian site around Hobbit Day, 2021, and thought that our #TolkienReadingDay would be a good opportunity to republish it at its new home. At the time, I was reflecting on the nature of friendships near and far, including once-inseparable friends I hadn’t seen in a long time, and on friendship in general, of the beauty hidden in human (and hobbit) failure, and of Frodo. His image was haunting me then, particularly on a Sunday when
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All Relationships are Precious: A First Encounter with K-Drama and “My Mister”
My Mister opens in a typical office setting, bright and bleak as a winter afternoon, everyone absorbed and professionally distant in their open-office “teams.” The only signs of anything green and growing here–passing shots, no more; the merest hint of new life springing up–are the office plants, watered by someone who is mostly invisible to the viewer. Shortly after, a comical sequence ensues as some of the office staff are sent into a panic by a flying bug—turns out, it is only a ladybug—as if something as vulnerable and colorful and living as that little ladybug has no place in
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Archive81 and Cosmic Horror
Archive81 proved a surprise Netflix hit, a slowburn horror series that wears a number of influences on its sleeve: Rosemary’s Baby, The Shining, The Ring, The Twilight Zone, Alex Garland, David Lynch and Mike Flanagan. Never less than engaging (thanks primarily to superb lead performances and polished production values) the cumulative effect over eight episodes is like playing a game of genre Bingo: witches, haunted houses, cult rituals, cursed recordings, spooky corridors, snuff films, evil tomes, seances and sacrifices, possibly mad and unreliable narrators, and ancient evil deities. The last ingredient, readers may recognize, marks the series’ most conspicuous influence:
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Arresting Strangeness: The Green Knight
This will be a short post, no more than an update. (Honestly I don’t think I’ve tried posting with this new WP format on the app before ~ in the midst of travels and adventures of my own ~ so it may come out a mess anyhow.) My own adventure began earlier this week, when our band of scattered siblings (my brother John said, “Muster the Rohirrim!”) came to answer the call of one of our own ~ my brother and his wife and newborn ~ in making their move from North Dakota to Oregon. The journey West…there is
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Remembering Roger Rees, and his Nicholas Nickleby
“Is this a theatre?” whispered Smike, in amazement; “I thought it was a blaze of light and finery.” “Why, so it is,” replied Nicholas, hardly less surprised; “but not by day, Smike—not by day.” ~Charles Dickens, Nicholas Nickleby by Sydney Wren Originally published at All the (Dickensian) Year Round It begins so innocuously with those quirky, slightly dated-sounding notes (now forever beloved) of the Royal Shakespeare Company’s 1981 filmed stage production of The Life and Adventures of Nicholas Nickleby. Who knew that this brainchild of Trevor Nunn, in collaboration with John Caird and adapted for the stage by David Edgar,
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