Archives for Horror

Quick Take: Stephen King’s FAIRY TALE

Quick Take: Stephen King’s FAIRY TALE

22 November, 2022 | 2 Comments

I was a teenager when I first read Stephen King. The book was Salem’s Lot and the damn thing scared me so badly I didn’t pick up King again for two decades. Then came The Gunslinger and The Dark Tower series, pressed upon me by friends whose opinions I trusted. I fell in love. See, I’m not a straight-out horror fan. I can’t bear slasher stories and maniacal clowns, but I do enjoy fantasies that grapple with the (to me, obvious) darkness in the world. Any world. So it was inevitable, I suppose, that I should give King’s latest, Fairy
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Wrestling with the Fallen Angel: Midnight Mass as Catholic Horror

Wrestling with the Fallen Angel: Midnight Mass as Catholic Horror

6 November, 2022 | 2 Comments

Two men—a priest and a recovering alcoholic— sit in a church rec center on folding chairs discussing the nature of God and the paradox of evil. It could be a scene out of Dostoevsky, but it’s a centerpiece of the Netflix limited series, Midnight Mass, an arrestingly strange and deeply affecting exploration of faith, sin, guilt, addiction, and grief. It’s a passion project for writer/director, Mike Flanagan, a highly-regarded horror auteur known for hit Netflix series, The Haunting of Hill House. Horror, for Flanagan, is a genre suited to themes of guilt and sin, faith and free will, buried secrets
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Archive81 and Cosmic Horror

Archive81 and Cosmic Horror

6 February, 2022 | 4 Comments

Archive81 proved a surprise Netflix hit, a slowburn horror series that wears a number of influences on its sleeve: Rosemary’s Baby, The Shining, The Ring, The Twilight Zone, Alex Garland, David Lynch and Mike Flanagan. Never less than engaging (thanks primarily to superb lead performances and polished production values) the cumulative effect over eight episodes is like playing a game of genre Bingo: witches, haunted houses, cult rituals, cursed recordings, spooky corridors, snuff films, evil tomes, seances and sacrifices, possibly mad and unreliable narrators, and ancient evil deities. The last ingredient, readers may recognize, marks the series’ most conspicuous influence:
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