I was a teenager when I first read Stephen King. The book was Salem’s Lot and the damn thing scared me so badly I didn’t pick up King again for two decades. Then came The Gunslinger and The Dark Tower series, pressed upon me by friends whose opinions I trusted. I fell in love. See, I’m not a straight-out horror fan. I can’t bear slasher stories and maniacal clowns, but I do enjoy fantasies that grapple with the (to me, obvious) darkness in the world. Any world. So it was inevitable, I suppose, that I should give King’s latest, Fairy
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Archives for Fantasy
ANDOR, Random Thoughts: Politics and Character Arcs
War is nothing but a continuation of politics with the admixture of other means.
ON WAR, by General Carl von Clausewitz
To be honest, Disney's Star Wars spinoff Andor was initially a bit of a slow burn for me. I was, however, deeply impressed from the first by the seriousness and sophistication of the writing, acting, directing, and production values.
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In Defense of Woundedness, of Failure, and of Frodo: A Personal Reflection with Tolkien’s Letters
[ALERT: If you are not familiar with the end of The Lord of the Rings, do not continue…] I originally published this post on my now-too-Dickensian site around Hobbit Day, 2021, and thought that our #TolkienReadingDay would be a good opportunity to republish it at its new home. At the time, I was reflecting on the nature of friendships near and far, including once-inseparable friends I hadn’t seen in a long time, and on friendship in general, of the beauty hidden in human (and hobbit) failure, and of Frodo. His image was haunting me then, particularly on a Sunday when
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